The radio 4 way: when you feel no need to prove your throbbing, pulsating hatred for something, and don’t even have a chance of arguing it under the cover of bad-journalism, you do it in the form of a play.Called to Account!
Acclaimed play asking if Tony Blair was guilty of war crimes.
Normally, they call this broadcast segment the “classic radio play” which almost always ALWAYS revolves around the early days of Communism, the Soviet revolution, or some other subject that cramps the mind of the most fantasist of the left in middle age. They can tell themselves listening through an exercise in their self-pitying angst has some sort of traditional “classicism,” and as such something respectable about it. The incredibly sad part isn’t just the characterization opportunities that they use to throw in the occasional objectified American, but the “class struggle” Rorschach signaling that always seems to use an Irish accent for the oppressed™, but that the heroine is always a put upon young female whose role is rewritten from the original form of condescension as a weakling in need of rescue to the condescension as a put-upon secular Saint “empowered” in spite of the absence of the intelligence, resourcefulness, or decency evident on any human not raised on decades Gramscian organic fertilizer.
Thereafter, yet another installment of the self-absorbed “Women Sour,” in search of new and exciting victims you never knew were worth caring about. As I write this, they are presently hosting an “investigative” piece about the conspiracy that medicine has against women, and that the problem can be solved in some kind of grant or funding that they’re arguing for. Don’t confuse this with the “Womens’ Hour Drama”, which is more or less the under-the-radar “Real IRA” to the nominal radio drama’s Gerry Adams.
Of course they refuse to count among them the genocides tacitly caused by pacifism.
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